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Handbuilt and handut Guinomi, small cup for sake. Also suitable as coffee cup. The bowl was made in a very special technique i call "Discovery".
Made of white, porcelain clay. White glaze.
Created in a wabi-sabi aesthetic way by Ukrainian ceramic artist.
Glazed and wood fired at Pottery Park studio Kiln in 2016.
Handbuilt and handut Guinomi, small cup for sake. Also suitable as coffee cup. The bowl was made in a very special technique i call "Discovery".
Made of white, porcelain clay. White glaze.
Created in a wabi-sabi aesthetic way by Ukrainian ceramic artist.
Glazed and wood fired at Pottery Park studio Kiln in 2016.
Handbuilt and handut Guinomi, small cup for sake. Also suitable as coffee cup. The bowl was made in a very special technique i call "Discovery".
Made of white, porcelain clay. White glaze.
Created in a wabi-sabi aesthetic way by Ukrainian ceramic artist.
Glazed and wood fired at Pottery Park studio Kiln in 2016.
Handbuilt and handut Guinomi, small cup for sake. Also suitable as coffee cup. The bowl was made in a very special technique i call "Discovery".
Made of white, porcelain clay. White glaze.
Created in a wabi-sabi aesthetic way by Ukrainian ceramic artist.
Glazed and wood fired at Pottery Park studio Kiln in 2016.
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Wood fired porcelain Guinomi "Discovery", Handcut Cup for Sake or Whiskey Sculpture

Paul Fryman

Ukraine

Sculpture, Ceramic on Ceramic

Size: 2.4 W x 2.4 H x 2.4 D in

Ships in a Box

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SOLD
Originally listed for $227
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About The Artwork

Handbuilt and handut Guinomi, small cup for sake. Also suitable as coffee cup. The bowl was made in a very special technique i call "Discovery". Made of white, porcelain clay. White glaze. Created in a wabi-sabi aesthetic way by Ukrainian ceramic artist. Glazed and wood fired at Pottery Park studio Kiln in 2016.

Details & Dimensions

Sculpture:Ceramic on Ceramic

Original:One-of-a-kind Artwork

Size:2.4 W x 2.4 H x 2.4 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My sources of inspiration are Japanese ceramics, the beauty of the land around me and behavior of the material itself. From wood-fired stoneware I expect to get on the one hand, perpetuation of the raw piece’s beauty, on the other hand, achievement of an extreme degree of firing transformation, one step before (or even after) the material’s destruction. The greatest success for me is an obtaining a harmonious combination of these two mutually contradictory results in one bowl. The clay, the fire and the artist are equal partners in the pot’s creation, giving one infinite wonder. The most exciting moment, the kiln opening, can be compared with a new planet’s discovery, finding a place there was no one before. That’s the reason to make a Chawan.

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