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Sculpture: Video, Digital, Glass, Steel, Wood on Wood, Steel, Glass.
The piece considers boundaries of space and time. Particularly urbanisation since the industrial revolution and the mapping and layering of river systems.
Zenobia illustrates a play on the micro to macroscopic. The light is projected over the intricacies of the sculpture. The various heights and ladders cutting across the piece links to a language of space. The light conveys movement to embody an experience of time. It is used to speculate a sense of wonder that is reflective of nature and of the sublime to evoke feelings of the boundlessness of nature.