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Sculpture, Woodcut on Other
Size: 15 W x 11.8 H x 0.8 D in
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102 Views
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color blocks project After one year of collecting materials from locals, sourcing different surfaces, keeping cut outs, irregular shapes, non recyclable and remodeling them and creating illusion, i wanted to give one last chance to all cut outs, the last cut. It started in the studio randomly layering some cut outs and seeing the potential of them as -negative space- shapes. It changed my usual process of symmetry and harmony, and starting to create rhythm and breathing in the composition. Cut outs became a shape itself and instead of painting new fields, i was chasing cuts to coexist, overlay, be even more reductive. Trying every time to introduce new color harmony, letters and new dynamics. this one is the fourth assemblage made of this serie, adding one layer covering and thinking of a road, a journey as if i was in the painting and travelling and adding some elements of that journey. reclaimed wood, pigments and acrylic, 2021, Tel Aviv, Israel
2021
Woodcut on Other
One-of-a-kind Artwork
15 W x 11.8 H x 0.8 D in
Not Framed
Not applicable
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French-Israeli artist, lives and works in Tel Aviv, Israel. Graduated from the fine arts of Paris (ENSBA),LVMH young artist award 2006, TAKASAGO prize 2008. She believes that order in chaos leads to an equilibrium of harmony. Jessica ’s corpus of art is an infinite voyage. Her calling never discovers a termination. Light is an exceptional commodity for her, the infinite evolution of colors, untangible moment of grace, and interactions with architecture. her process starts by translating this reflection and materialize them in shapes, lines and color harmonies She builds utopian architecture (mindscape) where she unveils impossible geometry. Her art-objects are keys to new dimensions, a new approach of colors. the structures display optical illusion that distract us from rational thinking and logic. Her art is inspired by former Bauhaus artists like Josef Albers. Jessica lives in Tel Aviv, where the traces of this movement are still to be found in the city architecture. Albers inspired Moritz to consider herself profound with the theory of color. Her inquiry led to an inspirational mission to flourish a very own attitude to this optical material. She believes in a sustainable way of producing her art. In consideration of climate change, she reclaims materials to use the existing. She gathers material on her trips and transforms them during a magical process into a new purpose. She tries to avoid a replacement out of senseless consumerism.
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