pattern as figure, full circle Sculpture

Jessica Moritz


Sculpture, Paint on Wood

Size: 21.3 W x 15 H x 10.6 D in

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About The Artwork

As I was doing a mural painting I realized that what really matters was the confrontation of the pattern with space. We can have this conversation over and over but as the line was drawing different patterns, I faced the Simplicity and naked truth about it: useless As if all the other elements never mattered. Of course we can use multiple language or rhetoric about it but I feel it will not lead to some good piece or argue. So let’s skip that and let’s focus on what appears to be basic and necessary at the same time : the medium and its context. Yes I m still a painter, yes pattern is my “thing”, and then how to extend it to enlighten the pattern as figure? It was like looking at someone, you undress it, little by little, you give up on all useless accessories and then you see the beauty of it. First as a unique shape then as some pattern that you know you’ve seen before and that you ll see again, hopefully... Therefore I started drawing simple shapes, explored first the 2 dimensions relation and finally decided 3 dimensions were needed. I call it a body relation, the shape comes in your personal space and you can relate or feel familiar with it. I start to work as an exploration on 3 different patterns. Each of them have also a color “reaction”. As the pattern will coexist in the studio, or gallery, it has to explore this relation also. I try to not look at each as object but more as an extension of the line (space). Second installation of these sculptures.After making, them, watching them and trying to have a second look, i realized that it was not enough. the circles and the colors needed to extend to the space. i believe that wall is not just a support or a vertical relation to sculpture. it needs to be all over, and engaged with the wall. NB:the circles on the walls are painted part of the installation. the sculpture are listed but the full installation is without the wall painting. Pattern as Figure,second composition part of installation Sculpture based on a circle of 38 cm and color reaction. Acrylic on MDF 2018

Details & Dimensions

Sculpture:Paint on Wood

Original:One-of-a-kind Artwork

Size:21.3 W x 15 H x 10.6 D in

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French-Israeli artist, lives and works in Tel Aviv. Graduated from the fine arts of Paris (ENSBA),LVMH young artist award 2006, TAKASAGO prize 2008.  She believes that order in chaos leads to an equilibrium of harmony. Jessica ’s corpus of art is an infinite voyage. Her calling never discovers a termination. Light is an exceptional commodity for her, the infinite evolution of colors, untangible moment of grace, and interactions with architecture. her process starts by translating this reflection and materialize them in shapes, lines and color harmonies She builds  utopian architecture (mindscape) where she unveils impossible geometry. Her art-objects are keys to new dimensions, a new approach of colors. the structures display optical illusion that distract us from rational thinking and logic. Her art is inspired by former Bauhaus artists like Josef Albers. Jessica lives in Tel Aviv, where the traces of this movement are still to be found in the city architecture. Albers inspired Moritz to consider herself profound with the theory of color. Her inquiry led to an inspirational mission to flourish a very own attitude to this optical material.  She believes in a sustainable way of producing her art. In consideration of climate change, she reclaims materials to use the existing. She gathers material on her trips and transforms them during a magical process into a new purpose. She tries to avoid a replacement out of senseless consumerism.

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