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View In My Room
Photo Paper
12 x 6 in ($100)
No Frame
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Fire is one of the core healers in many medicine traditions. Fire allows for rapid transformation. It provides the avenue to let go of the old story and drama, to transform, to renew and to be reborn. Both women and art have been censored and violated for centuries...We suffered so much that we forg...
2017
Print, Giclee on Photo Paper
Open Edition
12 W x 6 H x 0.1 D in
No
Not Framed
Ships Rolled in a Tube
Calculated at checkout.
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.
Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.
Printing facility in California.
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Giulia Gasparini is an Italian artist born in Lodi in 1990. She approaches photography very young and 9 years ago she started working as a fashion photographer for agencies, designers and magazines such as Vulkan, Lovesexdance, Splendor, C-Heads, Highsnobiety, Rendez Vouz, GQ Italy, L'Officiel with whom she still collaborates. Many projects have developed over the years, the most important are: We Animals, Bodies, For My Eyes Only, Death is Beauty, Genderless Femininity, Burn Baby Burn, #FreeThePixel, Woman and Mother. In 2015 she participated in a group show with We Animal at the International Fair in Atlanta EC RM, then at the Miit Museum in Turin during '' Italia Arte 2015 '' and in the same year she exhibited her Bodies serie at MFS Parson Fashion Design & Society Exhibition organized by the Parson School in New York where later she lived until the end of 2016. Returning to Italy in 2017, she continued to work shooting fashion campaigns for brands such as Furla, Barbanera Shoes, Patricia Bonaldi and Nike. In the same year Nike chose her as a Brand Ambassador as artist representing female strength. In 2018 in Milan she exposed the project #FreeThePixel, a rebellion against body censorship. Artistic projects, at first purely photographic, have become increasingly rich and multi-faceted, focusing on '' manual post-production '' that includes painting, water, fire and flowers.
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