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Mycelium Symbiosis Sculpture - Limited Edition of 9

Mothia Bella

Lithuania

Sculpture, Casting of Fiber

Size: 10.6 W x 20.5 H x 8.3 D in

Ships in a Box

$2,765

Shipping included

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Mycelium Symbiosis is a piece I made during a time when I felt quietly overwhelmed by things I couldn’t fully explain. I kept thinking about how mushrooms grow in places we don't usually see—how they connect and heal in silence. This sculpture is part of my Luminous Veins series. In the dark, it gl...

Year Created:

2022

Subject:
Method:

Sculpture, Casting of Fiber

Rarity:

Limited Edition of 9

Size:

10.6 W x 20.5 H x 8.3 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Outdoor Safe:

No

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Lithuania.

Need more information?

Need more information?

I don’t always know how to say what I feel, but I have learned how to sculpt it. I grew up in a quiet Lithuanian village near the Belarusian border. It’s not a place many people would know, but it gave me space—to be silent, to listen, and to notice the way feelings live beneath the surface of things. Because of a small hearing difference I was born with, I’ve always spoken a little slower, a little softer than others. For a long time, I thought that meant my emotions had no voice. It took years before I understood: my hands were already speaking for me. I began sculpting as a child, but it wasn't until my late teens that I understood what I was really doing. I wasn’t just shaping clay—I was pulling things out of myself that I couldn’t put into words. Anxiety, tenderness, grief, hope—they all came through in faces with closed eyes, in bodies entangled with things that grow, decay, or wait quietly in the dark. My studio is a small attic above my grandmother’s house. There’s nothing romantic about it—just wooden beams, cold mornings, and tools I've used so many times they feel like an extension of my fingers. But it's here, in that private silence, that most of my work takes shape. A few years ago, I was invited to show my pieces in a small group exhibition in Lida, across the border. One of the curators had come from Hong Kong, and to my surprise, they approached me after the show. They said my sculpture felt like something “unfinished and aching.” That was the first time I realized someone outside my own skin could understand what I was trying to say. They later offered to represent me—and I said yes. Since then, I’ve shared my work with people I’ve never met, from countries I’ve never seen. I don’t pretend to be confident. I don’t have the right words for interviews. But I hope that what I create finds a way to reach someone’s quiet place—the part of them that feels too strange, too delicate, or too much. If my work gives someone permission to feel without explanation, then that’s enough.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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