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Women of the world Sculpture

Maria Lapteva

Serbia

Sculpture, Wood

Size: 39.4 W x 39.4 H x 2.8 D in

Ships in a Crate

This artwork is not for sale.

90 Views

2

Artist Recognition
link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

From March 31 to April 4, this painting takes part in the international exhibition "Women of the world" is a work dedicated to women all over the world - young and old, sick and healthy, fat and slim. On planet Earth, we, women, are only 0.5% less than men, but it is women who store and multiply ...

Year Created:

2021

Subject:
Styles:
Method:

Sculpture, Wood

Rarity:

One-of-a-kind Artwork

Size:

39.4 W x 39.4 H x 2.8 D in

Ready to Hang:

Yes

Mounting:

Wall-Mounted

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Serbia.

Customs:

Shipments from Serbia may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

I work at the intersection of art and craft. My tables and sculptures are acts of functional abstraction—compositions that inhabit not only the wall but also the cadence of everyday life. At the core of my practice are resin tubes—architectural modules through which I orchestrate rhythm, depth, and translucency. This visual language allows me to translate abstraction into matter, to stage a dialogue between the history of art and the immediacy of contemporary experience. Each collection is a conversation with the masters of abstraction. From Pollock I inherit the energy of gesture, from Rothko the abyss of color, from Mondrian the rigor of structure. I do not quote them; I respond to them—asking what abstraction means today, when it can be not only seen but also touched. My works blur the threshold between furniture and art. They are not mere surfaces for objects, but autonomous scores of light and color—living both in the intimacy of the home and the resonance of the gallery.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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