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Rocinha Favela, Rio de Janeiro (119x84cm) Print - Limited Edition of 25

Tom Hanslien

United Kingdom

Open Edition Prints Available:
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14 x 21 in ($237)

14 x 21 in ($237)

16 x 24 in ($255)

20 x 30 in ($291)

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$237

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Overview of Rocinha favela, Rio de Janeiro. This image was taken whilst on a favela tour back in 2013. Rocinha (Little Farm) is the largest of Brazil's favelas. Our guide could tell us that Rocinha officially has about 80000 residents but the actual number might actually be as much as 200000. A sig...

Year Created:

2013

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

14 W x 21 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

I am a freelance photographer based in London. I enjoy a big love for travelling, which not only takes me around the world – with many great new images as a result – it's also a continuing source of inspiration which influences and feeds my passion for photography. With a background that started with drawing and illustration, which in turn lead to graphic design I believe the foundation of the way I compose my captures is very much affected by this. I often look for very graphic compositions with strong lines, large areas of strong colour, negative space and pushing the boundaries of traditional rules of composition. There is also a different approach to the way I like capturing my images when it comes to more travel reportage images. Still looking to isolate my subject, either by using shallow focus, leading lines, concentrating of light, picking out splashes of colour, and other techniques. Most images are very much as a spectator, fly on the wall if you like - I generally don't like posed images. I feel I get a truer picture when I don't interfere, but also I'm not hiding in the distance with a tele-lens - I like to be close to my subjects in plain sight.

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