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Cat on Cocktail-Old Fashioned-Original Collage Artwork on Wood Artwork

Maureen Shields

United States

Mixed Media, Paper on Cotton Paper

Size: 5 W x 7 H x 0.5 D in

Ships in a Box

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Details: •Original mixed media work on wood. •Features a toyger cat sitting on top of a old fashioned cocktail, low ball glass •Background is vintage wallpaper •Measures 5" x 7" •Collage source material is from vintage LIFE and LOOK magazines and vintage books from the 1940s to the 1980s •Each colla...

Year Created:

2024

Subject:
Mediums:

Mixed Media, Paper on Cotton Paper

Rarity:

One-of-a-kind Artwork

Size:

5 W x 7 H x 0.5 D in

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Need more information?

Born in San Gabriel, CA. Lives and works in San Francisco, California. The intent of my work is twofold. First, I hope to initially attract and seduce the viewer with beautiful beguiling surfaces and candy colors. The tone of the work is often at first glance innocent and playful by the use of images of children from old books dating from the 1920s to the 1990s, images from arcade games, as well as the use of bright and sparkling color. Second, upon further examination, as situations unfold and we have time to read the ambiguities, the work that could initially be construed as cloying and saccharine, instead inspire a sense of danger or dread. Rather than being welcoming and nostalgic, the work suggests a repulsion and unpleasantness beneath the alluring veneer. I hope to engage the questioning of the viewers own nostalgia.Potentially, my work is a reminder that beneath both the surfaces of the painting and nostalgia lies experiences and images far more complicated than what they initially appear. More complicated because they are masked by conceptions of how we think these things should be rather than how they have been experienced. In my work, I seek to reintroduce the strangeness and complexity I associate with childhood. In peeling back the surfaces, I want to reveal and address these issues experienced in my own childhood and adulthood, as well as provide an opportunity for others to reflect upon these similar issues in their own lives and in the popular western culture at large.

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