114 Views
1
View In My Room
Carlos Grasso
United States
Canvas
16 x 16 in ($125)
Black Canvas
No Frame
114 Views
1
“9 Blue Moods in Search of Lost Time” (and this piece “Constructivism Blues”) is a series of brief "visual statements” (visual haikus, short poems-stories) grouped together through a common narrative. Using natural, fabricated and found objects, my intention is to create an individual piece each tim...
2017
Print, Giclee on Canvas
Open Edition
16 W x 16 H x 1.25 D in
Yes
Not Framed
Black Canvas
Ships in a Box
Calculated at checkout.
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Printing facility in California.
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United States
Born in Buenos Aires (Argentina). Lives and works in Ojai, California. Studied Music, Graphic Arts and Painting in Buenos Aires, Paris and Los Angeles. Visiting his studio one experiences the broad range of his work: abstract, representational, minimalist, expressionist, monochromatic, colorful... defining him as a visionary and visually insatiable experimental artist. He can be a staunch realistic or an explosive expressionist, a minimalist or a texture explorer. He is not confined to any medium, adapting his methods to his concepts, shifting easily between paint, unconventional materials, mixed media and conceptual work. Eduardo N. Gomez, Art Critic Nice-France, wrote about Grasso's work: "It’s an adventure to be face to face with a work by Carlos Grasso. It’s never a simple matter and one can’t be certain of the outcome. You may emerge unscathed but definitely not unchanged. “Nine Statements,” an effective and dangerous work in which a single line draws out unknown feelings like a looking glass in which we read our own reflection. A battlefield on which an ordinary scissor can become a sacred object and res, black and white are far more than neutral colors. These works use us as sounding boards while our eyes wide shut transcend normal vision; this is true art. Confrontation becomes a magic act, a surprise, because we expect a work to speak of its creator. Here we are facing a work that instead speaks of us, that fulfills the true function of art, an open and generous act that guides us inward toward ourselves. In recent works and particularly in “Analog Canvas Deconstruction,” this creeps up on us like caramel coated poison, sweetly penetrating us but when suddenly we sense the danger within, it’s already too late. Captivated from the start, in minutes we are trapped and then irreversibly transformed. A subtly elegant style and simple approach seize us, hypnotize us and reveal unknown sensations. André Malraux’s thought, “Art is the shortest path from one human being to another,” has never been more appropriate.
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