Amoon Painting

the artefact of traditional fine art - painting. Her main interests include „painterly“ research into the transformations of pictorial form in relation to identity and the influence of technical images as scientific research visuals demonstrating the processes of the problem under investigation. It is in fact a way of their post-production availability. She is equally fascinated by virtually constructed operative systems whose reduced visuality is the carrier of clearly distinguishable information. The artificiality of this world, whose principles are gradually being adapted to human behaviour and actions, becomes a challenge to the painterly falsification and physical experience of the painting, which is made possible precisely by the application of the painting medium in the analytical analysis of its own construction processes. The author works in a closed painting series. She creates certain observable registrations and formal sequences. From these, one can read the centrifugal core of the problem as well as the interfaces in which her fascination with the topic under observation moves. On the basis of these materialised theses, which are structured into serial visual sequences, it is possible to evaluate the author‘s position and the movement across the realm of conceptualised visuality behind her aesthetic transformations and imaginative poetics through comparisons. Petr Vaňous - curator