Hoshi Neko

Artist: Hoshi Neko
"My practice moves across multiple mediums — watercolor, digital work, photography, generative processes, fractal structures, and calligraphic gesture. Each technique allows me to explore a different way in which form, rhythm, and memory appear. I’m drawn to the intersections where precision meets intuition: the accident of ink on paper, the controlled evolution of an algorithm, the organic geometry found in nature, or the quiet symbolism of line.

I often develop my work in series, each with its own atmosphere — from myth-inspired studies to abstract explorations, from digital compositions to pieces that focus on gesture and minimalism. What unifies them is not the medium, but the search for a visual language capable of holding both emotion and structure.

I refine every piece manually, shaping the raw material — whether a splash of watercolor, a photographic fragment, or a generative form — into something that feels like a trace of a larger inner landscape. My work aims to reveal the space between the seen and the sensed, where imagery becomes memory, and memory becomes symbol."

Ceramics – formal training.
It shaped my sense of material, touch, and the physical presence of form — something that continues to guide all my work, regardless of medium.

My work is rooted in drawing. I paint in watercolor and ink, often combining them with calligraphy to explore gesture, rhythm, and the quiet structure of form. Photography enters my process as a way to observe light and texture, while ceramics — my original training — shaped my sense of material, touch, and the physical presence of an object.

I am also drawn to fractal structures — not as a technical tool, but as an idea: the repetition of patterns, the way form grows from itself, the echo between the small and the vast. This sense of natural geometry influences both my drawing and my digital work, linking all mediums through a shared visual rhythm.

These elements come together in series that move between landscape, symbolism, and intimate abstraction. My current focus is the Teniada cycle — paintings and drawings inspired by myth, memory, and the living terrain of wine.