Nico Vincent

1955 born in France. Works in Hamburg

It is the polysémique look of a standing man in the city. The urban space visited, go make to react it and to think, while imposing him a rhetoric unconscious cheminatoire but happy. The strength of the perspectives and these volumes, the quality of light and these shades, is going to act on this man's behavior become a" passe-lumière ". To observe, to discover and to inhale in bulk all his/her/its dusts of city with his/her/its objective, for then, to rebuild some pictures in the drank to reveal and to make spring quoted it volume-object of the building. To try to create á to leave from a real infinity, of the imaginary and utopian buildings but recognizable, of the floating buildings to the wills of wind because pulled of their environment, streets, cities, of their functions of office or lodging, they are revealed to they-same. It is a transformation critical of a construction thin á to change the volume of it and to increase his/her/its visual impact in an excessive manner.
To get a spatial, futuristic perception, to acquire a vision unreal and utopian of the architecture. Discount in question of the diachronie of the contemporary photo, of the representation that we make ourselves th...

1980 - 1984 degree in techniques of cinema, video and photography at the Polytechnical Institute of
Cinematographic Arts of the University of Paris VIII.

1978 photographer of modern dance, publications in Pour la Dance magazine
1979 works as architectural photographer for: Ricardo Boffil, Jean Nouvel, Henri Ciriani,
Manolo Nuñez, Michel Andrault, Pierre Parat et Claude Vasconi
1980 realizes 3 short cuts at the Polytechnical Institute of Cinematographic Arts of the University of Paris
1986 granted a scholarship by the ‘Bureau de la Photo de Paris’ to realize a documentary on the
oldest
small enterprises of Paris. Hired by Paris Audiovisuel to cover the festival Mois de la Photo 1986
1987 documentary on the filming of Carlos Saura’s El Dorado in Costa Rica, published by the
Parisian newspaper Libération
1988 works for two years as art director for the architectural magazine „ Revista del CFIA“ in Costa Rica
1990 works for one year as stringer for Agence France Presse et Associated Press of Costa Rica
1992 opens his own studio of graphic design in San José, Costa Rica. Wins third prize in a
Latin-American photo competition Prés des coeurs sauv...