Nitzan David Hamerman

These works deals with the already dead painting, when the political becomes kitsch and art wonders of its own necessity.

The horror, our reaction toward the wordless abyss is always there.
Painting has a quality to absorb the horror and refine it so easily, that one can hang the horror on the kitchen's wall. In these B-paintings, as B-Movies are for movies, there is an attempt to test the boundaries of the repulsive and menace painting in order to make the observer look straight in the eyes of the "Unheimlich".

The painting is done without photographic image as a way to pump interior images and accidental images to create meaningless and meaningful combinations.

Education1992-1996 Bezalel Academy of Art and Design, Jerusalem Art Activities1999-2006 Following graduation from the Bezalel Academy of Art & Design, Jerusalem. working across several disciplines in visual arts, including painting, photography,video art, and installations, which were exhibited in group and solo exhibitions, as indicated below.Group exhibitions:2006 Comment No. 10 Bloomfield Museum of Science, Jerusalem. Curator: Sala-Manca Group 2005 Water Bat Yam College Art Institute. Curator: Shai Pardo 2001 Improvisation Ascola Gallery, Tel Aviv. Curator: Iris Paz One-person exhibitions2004 Tomorrow is another day Herzliya Artists Residence. Curator: Varda Ginossar. 2003 Greyhounds Heder Gallery, Tel Aviv. Curator: Milena Gitzin-Adiram 2001 Lifts Tova Osman Gallery, Tel Aviv. Curator: Tova Osman. ,