Quentin Milo Pomel

For Quentin Pomel, art begins with letting go.

He does not draw the first line—his son, Milo, does. Unfiltered. Untrained. Unafraid. The child’s hand opens the door to the unknown, and Pomel steps through it, responding with color, rhythm, and composition. Together, they build—without hierarchy, without correction.

This is not collaboration as method—it is collaboration as necessity. A practice of surrender and trust. Of chaos embraced and reshaped. Of childhood honored, not overwritten.

Each work becomes a record of their dialogue. A map of intuition. A shared territory where spontaneity meets structure, and tenderness leaves its trace.

This is not just painting. It is memory, motion, and complicity—layered into form.

-Master in Industrial Design with a specialization in luxury objects from Conservatoire National des Arts et Métiers, France
-Bachelor Ès Art from Université de Montréal, completed from 1 major in Studio Arts at UQAM and a minor in Art history at UDM