"Black and White Shapes III" Fine Art Print

Art for me is simply my way of life, of being in the world. Without it, existence would be intolerable. I'm convinced that we need art now more than ever, in all possible forms of expression. My work, in particular, is rooted in precision, rhythm, and a deliberate exploration of visual tension. I am drawn to geometry and abstraction not merely as systems or methods, but as languages whose combination allows for both discipline and deviation. Through structure and contrast, I explore how perception shifts, how form provokes, and how silence can be shaped. I firmly believe that silence speaks too, all we need is to be willing to listen. I do not approach art as decoration or performance. I am not here merely to posture for visibility. I work independently, but not in isolation—what I value is genuine exchange, not spectacle. I welcome collectors and galleries who recognise clarity, intentionality, and the long view; I also invite those just beginning their journey in art collecting to step in with curiosity. Each piece is a dialogue between control and uncertainty. I don’t aim to explain them—I prefer they speak in their own terms, to those willing to look. My current body of work is informed, firstly, by personal reflection on the limits of human perception. Secondly, I'm interested in the study of op art, including artists like Bridget Riley and her investigations into movement, repetition, and visual vibration.