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The Monstrous Evolution of an Angry Creature Print

Alberto Capitani

Italy

Open Edition Prints Available:
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Metal

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12 x 24 in ($290)

12 x 24 in ($290)

24 x 48 in ($980)

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ABOUT THE ARTWORK
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In this surreal and slightly terrifying evolution, something has clearly gone wrong—or at least, the subject seems to think so. With three rows of sharp, gritted teeth and angry blue "hairs" radiating from its form, this creature exudes an air of frustration, as if deeply displeased with its final a...

Year Created:

2024

Subject:
Medium:

Print, Ink on Aluminum

Rarity:

Open Edition

Size:

12 W x 24 H x 0.88 D in

Ready to Hang:

Yes

Frame:

Not Applicable

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 10-14 business days for domestic shipments, 15-21 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

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Need more information?

Born in Brescia in 1957 and raised in Milan, Alberto Capitani is a digital artist bridging classical training and contemporary AI. A piano graduate of the Giuseppe Verdi Conservatory (with further studies in composition and electronic music), he also pursued mathematical logic and theoretical philosophy at the University of Milan. After more than four decades teaching piano, he shifted to visual arts, working with Midjourney, DALL-E, and ChatGPT to create a body of about 1,700 works. Images and texts are conceived as complementary parts, and series statements act as the red thread that frames each collection as a complete graphic-conceptual story. His research is deliberately open in style: style is a means — and sometimes the spark — in the pursuit of artistic substance. Artist Statement I work at the intersection of images and words. Many pieces are conceived as pairs: an image and a concise text that complete one another. Beyond single works, I build graphic-conceptual stories guided by a series statement that sets context, tone, and direction. With AI as my studio partner, I move between algorithm and metaphor, light and irony, searching for forms that question themselves and invite the viewer to follow the thread of the series. Each work negotiates between the visible and the invisible, the structured and the spontaneous, the human and the artificial.

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