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"All That Silence For Nothing" Fine Art Print
$97
Material
- Archival acid-free canvas
- Laminated with protective lustre surface
- Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Size
Select a Canvas Wrap
Frame
Archival-grade Materials
Fade-resistant Inks
Professionally Printed
ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
This piece has been sketched a couple of times before I could get to the result I had in mind. My subject was supposed to portray a screaming man, but I wanted look like a deaf sound. I came to the conclusion that mouth and eyes needed to be completely black, therefore charcoal's been crucial.
Year Created:
2019
Subject:
Medium:
Print, Giclee on Canvas
Rarity:
Open Edition
Size:
12 W x 16 H x 1.25 D in
Ready to Hang:
Yes
Frame:
Not Framed
Canvas Wrap:
Black Canvas
Packaging:
Ships in a Box
Delivery Cost:
Calculated at checkout.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.
Handling:
Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:
Printing facility in California.
Need more information?
Need more information?
Tyron Pironaci
United Kingdom
Drawing, the gesture of leaving marks on a surface, has always been the greatest form of visual expression to me. I took part in many collective and solo exhibitions in both Italy and UK. Studying art history, particularly those artists who have dealt with the human body and face, I have been very interested in the work of Leonardo da Vinci, Caravaggio, Henri de Toulouse-Lautrec, Egon Schiele, Edvard Munch, Francis Bacon. My work is mostly orientated on portraits. The research I do leads me to a sort of crossroads: the classic “ideal beauty” charcoal drawing on paper on a hand, the modern abuse and coldness of the human body image on the other. The use of charcoal and paper has a symbolic value of "reuniting elements", as both are unnatural evolutions of wood. The versatility of this medium also allows me to get delicate shadings and primitive signs at the same time, all in favour of expressiveness. An exaggerated expressiveness that has the aim of intriguing and involving the observer.
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