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Original Figurative People Drawing by Jill Slaymaker
Original Figurative People Drawing by Jill Slaymaker
small-01
Original Figurative People Drawing by Jill Slaymaker
small-02
Original Figurative People Drawing by Jill Slaymaker
Original Figurative People Drawing by Jill Slaymaker
Original Figurative People Drawing by Jill Slaymaker
Original Figurative People Drawing by Jill Slaymaker
Original Figurative People Drawing by Jill Slaymaker

1

"An Hour With Calmer Wings" Fine Art Print

Jill Slaymaker, United States

$190

Material
  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas
Size
12 x 16 in ($190)
Select a Canvas Wrap
White Canvas
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This large charcoal drawing came about after becoming ill from oil paint fumes and needing another media to work with, temporarily. After a honeymoon in the Costa Rican rainforest, creating imagined jungles has become a great escape from my life in urban Manhattan.

Year Created:

2010

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

12 W x 16 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

White Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Exploring the idea of multiple and simultaneous realities, as well as the interconnectedness and interdependence of all phenomena, is the focus of my work. I sometimes paint over journal pages, doodles, and in Mostly Bad Ideas, index cards with ideas for artworks never executed. Transforming personal ephemera into art is a way of layering meaning, wasting nothing, and witnessing the passage of time through personal history. I'm trying to capture the idea that we each view the world through a unique lens, and though connected, we exist in a world of endless and conflicting realities. The "handbook" drawings began by discovering a 1944 medical book investigating hand shapes and illness. Its images of supposedly schizophrenic hands intrigued me. I've been painting over its pages, creating groups of six drawings to be framed together as one. My End is My Beginning and My Senses Unsensed are the first groups in the series. I combine fragmented 'puzzle piece' images to create semi-abstract, open ended narratives . I have experimented with many techniques and media over the years, including iron oxide, slate, beeswax, glow-in-the-dark paint, metal leaf, blood, sound, found objects, installation, mosaic tile, lithography, etching and chine colle. - new work - thirty years' work

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