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Original Figurative Architecture Drawing by Stuart Jarvis
Original Figurative Architecture Drawing by Stuart Jarvis
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Original Figurative Architecture Drawing by Stuart Jarvis
small-02
Original Figurative Architecture Drawing by Stuart Jarvis
Original Figurative Architecture Drawing by Stuart Jarvis
Original Figurative Architecture Drawing by Stuart Jarvis
Original Figurative Architecture Drawing by Stuart Jarvis
Original Figurative Architecture Drawing by Stuart Jarvis

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Crete Watchtower Fine Art Print

Stuart Jarvis, United Kingdom

$141

Material
  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas
Size
12 x 16 in ($141)
Select a Canvas Wrap
White Canvas
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This chalk and charcoal drawing captures the haunting essence of an abandoned watchtower near the coast in Crete. Combining chalk and charcoal to depict the desolation of the structure, its weathered walls tell stories of bygone days. Against the backdrop of the coastal horizon, the watchtower stand...

Year Created:

2022

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

12 W x 16 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

White Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

As an artist and educator based in the East Midlands, I navigate the intersection of teaching and artistry, believing firmly that each discipline enriches the other. My formative years in Birmingham instilled a deep fascination with brutalist concrete architecture, which now serves as the primary muse in my work. The relentless, stark aesthetics of post-war structures, particularly the Gravelly Hill Interchange or 'Spaghetti Junction', embody a raw, visual power that continuously inspires me. This iconic landmark, a symbol of industrial strength and complex engineering, provides a continually unfolding source of inspiration, challenging me to explore themes of connection and solitude amidst the urban sprawl. Lately, I've reintroduced oil but I'm known to primarily work with charcoal to explore themes of urban decay and the unexpected beauty in utilitarian structures. My pieces seek to challenge perceptions, urging viewers to find elegance and resonance in the mundane and the monolithic.

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