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Archival-grade Materials
Fade-resistant Inks
Professionally Printed
This ink-and-watercolor piece depicts the haunting beauty of the Basilica Cistern in Istanbul, one of the city’s most atmospheric Byzantine relics. Massive stone columns rise from the water, their surfaces worn smooth by centuries, supporting the vaulted brick ceiling above. Visitors walk along mode...
2023
Print, Giclee on Canvas
Open Edition
16 W x 12 H x 1.25 D in
Yes
Not Framed
Black Canvas
Ships in a Box
Calculated at checkout.
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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Ships in a box. Art prints are packaged and shipped by our printing partner.
Printing facility in California.
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Germany
I was born on January 23 in Moscow, into a family where creation, discipline, and intellect formed the atmosphere of everyday life. Engineers, artists, sculptors, writers, publicists, composers, doctors, educators, and hereditary military officers — mine was a household where stories were drawn, built, composed, and passed down. In that vibrant mix of worlds, I found my place: somewhere between art and structure, image and idea. From a young age, I gravitated toward drawing, fascinated not just by what things looked like — but by how they were made. Between 2006 and 2009, I participated in and won numerous school art competitions and was responsible for the artistic design of most events at School 494. In 2008, I took part in a charity fair at the Foreign Office in London, and by 2009, I had my first exhibition — at the Embassy of the Russian Federation in the UK, where I was personally thanked by Ambassador Yuri Fedotov. I studied industrial graphics at MAXY, under the guidance of Irina Dragunskaya and Elena Molchanova, and graduated with honors. I deepened my skills further with advanced design training there, but at the same time, I followed another path: science. At the N.E. Bauman Moscow State Technical University, I studied technical physics and graduated with honors. I worked in the renowned laboratory of Prof. Dr. sc. Vladimir Gorelik at the Russian Academy of Sciences — where I explored physical structure and precision. And yet, art remained central. My first personal exhibition was held at Bauman University, in a place better known for formulas than for visual storytelling. It marked the beginning of a new synthesis for me — the integration of visual art and architecture. In 2019, I moved to Germany and began studying architecture at the Technical University of Munich (TUM). It was an intense, transformative experience. Under professors Benedikt Boucsein and Matthias Faul, I explored the intersection of conceptual rigor and expressive form. I worked as a graphic designer at Cathaia International, a teacher of mathematics and computer science at MAXY, and later as an assistant to the Deputy Director there. From teaching to building, from drawing to modeling, I immersed myself fully. I spent 2021–2022 as an exchange student at the University of Ferrara, working in the studio of Professor Antonello Stella. That period shaped my thinking deeply — giving me a Mediterranean lens on architectural thought and aesthetic clarity.
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