33 Views
2
View In My Room
Canvas
14 x 21 in ($129)
Black Canvas
White ($150)
33 Views
2
Olesya Tkachenko is one of the first artists in Ukraine who began explore global issues with the help of textile materials. In addition to environmental themes, the author also touches on those pressing issues that threaten our existence on the planet. She creates her works from natural materials, demonstrating the possibilities of textile structures to implement their important ideas. In particular, in her works she responds to current issues of universal importance. Among them is the work "Inseparable bonds”,which is the author's reflection on Russia's aggressive invasion of independent Ukraine and the outbreak of war on its territory. The main task of the artist is to create a certain dynamic image, which simultaneously raises the question of ecological existence of people and makes them think about modern problems. The artist is interested in the synthesis of natural materials, art and reality, which can be seen in this work. The struggle of blue and orange colors, the cycle of energies, the dynamic battle of the lines, where in the vortex movement is the destruction of the old and at the same time the birth of the new.
2022
Giclee on Canvas
14 W x 21 H x 1.25 D in
15.75 W x 22.75 H x 1.25 D in
White
Black Canvas
Yes
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Ukraine
Playing with textures and visual effects, where textiles turn into brush strokes, has become my calling card. I like to call my works "three-dimensional" because my works combine painting, sculpture and craft. In my work I am looking for ways to recreate the feeling of natural textures. I try to recreate emotional feelings from contemplation of objects around us by using wool threads. My works are abstract, at first glance, but if you take a proper look you will discover many elements of real world. There are bright fresh spring green leaves, streams of icy water and warm sunlight. In my works I try to convey the textures of objects in the light and air environment, but at the same time I do not depict them, I do not focus on their materiality. Instead, I use non-pictorial materials for this sensory impression. I emphasize the idea that the world is essentially dualistic, everything in it is connected by invisible ties, everything is connected with everything. The world of abstract forms and theories is the embodiment of the physical world, and vice versa.
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