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3 Blues & Magenta 1,2&3 17-04-21 Rome Print

Joyce Dunn

Italy

Open Edition Prints Available:
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Fine Art Paper

Fine Art Paper

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12 x 6 in ($40)

12 x 6 in ($40)

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White ($80)

Black ($80)

White ($80)

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Metal: Light Pewter ($140)

Metal: Dark Pewter ($140)

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$120

156 Views

3

Artist Recognition
link - Featured in the Catalog

Featured in the Catalog

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

This painting is a study in color. Color theory is both the science and art of using color and the visual effects of how colors mix, match or contrast with each other. Art should have its own reality and not be an imitation of some other thing. This painting is acrylic and began with a layer of cyan, followed by different layers of blue. It was inspired by the similar watercolor in the spring color catalog, which began with a layer of magenta. Artwork featuring this color pallet and composition will bring a sense of simplicity to your living space and help create a warm and serene environment. This triptych is on paper and will require a frame. They are signed on the back.

DETAILS AND DIMENSIONS
Print:

Giclee on Fine Art Paper

Size:

12 W x 6 H x 0.1 D in

Size with Frame:

17.25 W x 11.25 H x 1.2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

BIOGRAPHY: Joyce was born in Ontario Canada and presently resides in Rome Italy. She attended a high school for the visual arts in Ottawa and then the Ontario College of Art and Design, and York University in Toronto. For the last twenty five years she has taught International Baccalaureate studio art at the American Overseas School of Rome. Retiring in September 2019, she now works full time in her studio in Rome Italy. ARTIST STATEMENT : The City Deconstructed: Finally, after years of concentrating on the walking figure in the urban environment, I have evolved to abstract expressionism. The early paintings were of Toronto skylines, where I grew up, and Rome, where I have lived for the past thirty years. Previously my work reflected life with in the city, particularly contemplating the piazza and the streets. Buildings became imaginary, constructed from masking tape, to create the grid work. The walking contemporary figures, I found in magazines and newspapers. Finally, as the figure became less important, I started to concentrate on the background...an imaginary minute section of the environment. Confusion, noise, traffic, buildings, graffiti, and the chaotic atmosphere of the urban city are my inspiration. Jackson Pollock and the action painters and Mark Rothko of the color field painters of the 1950’s are at the base of my work. All works are in oil paint or watercolor. I worked intensely with watercolor for years and it is evident in the way I use oil paint. I like transparency, and to leave evidence of each layer or day's work, either by masking or leaving areas and not painting over them, thus creating the illusion of depth. The actual physical work is about showing depth through building layers of transparent paint, and aggressive movement of brushwork. The first layers, the chaos of the city, is the action painting. The color field painting is what goes on top of the action painting representing the order of the city.

Artist Recognition
Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in Virtual, Virtual, London

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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