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Original Figurative Mountain Painting by Alexander Heaton
Original Figurative Mountain Painting by Alexander Heaton
medium-01
Original Figurative Mountain Painting by Alexander Heaton
medium-02
Original Figurative Mountain Painting by Alexander Heaton
medium-03
Original Figurative Mountain Painting by Alexander Heaton
Original Figurative Mountain Painting by Alexander Heaton
Original Figurative Mountain Painting by Alexander Heaton
Original Figurative Mountain Painting by Alexander Heaton
Original Figurative Mountain Painting by Alexander Heaton

9

"Ama Dablam Wreathed in Clouds" Fine Art Print

Alexander Heaton, United Kingdom

$129

Material
  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas
Size
21 x 14 in ($129)
Select a Canvas Wrap
White Canvas
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

The mountain, Ama Dablam in the Nepalese Himalayas is depicted in this painting. The main peak is 6,812 metres (22,349 ft). The mountain is wreathed in ring of clouds giving it an other worldly presence and majestic beauty. The hanging glacier is an allegory for wisdom manifested as crystallised pai...

Year Created:

2023

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

21 W x 14 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

White Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Alexander Heaton's work reaches deep into the imagination, searching for mans most primeval interaction with nature. His paintings attempt to capture that first interaction, and the sense of wonder and spirituality as humanity confronts omnipresence. Alex works from experience, researching and conducting studies in remote natural settings. Through long and meaningful communion with nature his many drawings and paintings assert the inherent worth of deep spiritual reflection and recognise union with land and the elements. He also uses cut up techniques to sample found photography from retro mountaineering literature to journey to some of the more extream places on the canvas that he has not personally been able to visit. Alex often draws upon mystical experiences and noetic connections to illustrate in paint the words of the divine presence felt in the places he chooses to depict. He draws upon such wells of references as shamanism, mythology, gnosticism, extreme sports, and ecstatic mountain lore. Landscape Artist As a mountaineer Alex, studies and researches themes directly. He often thinks nothing of walking and climbing to remote places in the Himalaya or Alps just to cast an eye on his artistic muse – "I am the lonely figure lured by mountains, dark forests, alpine skies and forbidding ravines." The paintings look out from dreamy summits and contemplate the beyond. Through his canvases he continues on the Romantic journey, but updates this visual language with the possibility of going to higher, more challenging and steeper places. "My work teeters on the edge of a filmic realism and also at times uses sampled vignettes of other climbers photographs." There are hints of something more transcendant in the dark forests and crumbling glaciers that populate his works to date. It’s this struggle that fascinates him to keep painting. Recent works transports the viewer to hallucinatory and altered worlds. These are not real places, but are constructs of sublime vistas I have experienced or sampled. The work touches on a common longing in us all to escape the modern urban landscape and throw oneself whole heartedly into serene expanses, and witness at first hand awe-inspiring natural phenomena. This isn’t always possible on a day-to-day basis, but painting as substitute for exploration can be. However, the work at times offers us dangerous realities of complete desolation or abandonment at the ends of the world.

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