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Amy Dillwyn 1845 - 1935 Painting

Kate Milsom

United Kingdom

Painting, Oil on Wood

Size: 27.5 W x 24 H x 2 D in

This artwork is not for sale.
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About The Artwork

Oil & mixed media on gesso board Elizabeth Amy Dillwyn, born into a family of liberal and Quaker values, was a Welsh novelist, businesswoman, and social benefactor. She was one of the first female industrialists in Britain. When the National Union of Women’s Suffrage Societies was formed at the turn of the century, Dillwyn joined as one of the earliest supporters in Wales. She commanded enormous respect during her lifetime through her determination to work for social justice and the public good. Her unorthodox appearance in trilby hat and stout boots, her habitual smoking of cigars and her lifestyle in general drew the attention of the press throughout her life, with the Pall Mall Gazette naming her “one of the most remarkable women in Great Britain”. Amy Dillwyn represented (right) in 1892, dressed in a bright purple skirt, sporting a yellow rose in her belt and flowers in her hat to attend the public funeral of her father, the eminent Liberal MP, Lewis Llewellyn Dillwyn. This was a bold and purposeful statement on her part where strict black mourning was the norm, and created a scandal in the national press. Dillwyn was protesting against the Victorian cult of death, whose conventions demanded elaborate funeral and mourning arrangements, and which plunged working-class families into debt as they struggled to purchase all the trappings a “respectable” send-off required. Much to her amusement, her nonconformity continued to be noted throughout her life, with newspaper headlines such as “Woman and the Cigar: A Literary Business Woman who Delights in the Weed”. Unperturbed by public opinion as to ‘lady-like’ behaviour she led a trip to Algeria at the age of 59, visiting mines and riding astride a donkey into the Atlas Mountains to secure supplies of calamine for the Spelter Works. Original work available through The Martin Tinney Gallery, Cardiff and Gala Fine Art, Bristol

Details & Dimensions

Painting:Oil on Wood

Original:One-of-a-kind Artwork

Size:27.5 W x 24 H x 2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I began producing elaborate mixed media pieces while on my long stay in Venice, making use of the city-floor ephemera of discarded museum leaflets and postcards. Incorporating ‘scraps’ of the past, sourced from secondhand books and magazines, and the maps I grew up with as the child of an intrepid Geophysicist, I produced a diary of sorts, the alternative reality of a history I invented for myself. I have since developed this way of working, often inspired by current events, creating ‘intricate scenes of social malfunction’, my investigations into ‘the human condition’ through a series of imagined portraits. I studied Fine Art at Oxford Brookes University, spending my final year at The School of the Art Institute of Chicago on an extended travel award. Graduating in 1992 I moved back to London, where for a time I slipped into the world of graphic design and illustration, working for Raymond Loewy International, and subsequently becoming Course Tutor at Lambeth College, and later a lecturer at Worcester University. By the late 1990s, emboldened to pursue my painting career by formidable gallery owner and art advocate the late Elizabeth Organ, a series of events shaped my subsequent work, beginning with the move from London to unfeasibly feudal Herefordshire, a turbulent marriage in a ‘Gormenghast’ of a castle, and a subsequent period of exile in Venice. My work has most recently been shown at the Royal West of England Academy, Bristol and the Mernier Gallery, London, with an increasing following of private European collectors from Southern France to Croatia. Represented by: The Martin Tinney Gallery Cardiff http://www.artwales.com/ Gala Fine Art, Bristol http://galafineart.uk

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