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Original Abstract Painting by Sandy Sokoloff
Original Abstract Painting by Sandy Sokoloff
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Original Abstract Painting by Sandy Sokoloff
small-02
Original Abstract Painting by Sandy Sokoloff
Original Abstract Painting by Sandy Sokoloff
Original Abstract Painting by Sandy Sokoloff
Original Abstract Painting by Sandy Sokoloff
Original Abstract Painting by Sandy Sokoloff

2

"Archangel Haniel" Fine Art Print

Sandy Sokoloff, United States

$100

Material
  • 100% cotton, acid-free, museum quality paper
  • Printed with archival pigmented inks
  • Has a 2"-3" white border with matte finish
Fine Art Paper
Size
12 x 6 in ($100)
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

'Haniel' is truly the first of the 'Archangel' paintings. I was looking to replicate some of the formal elements in 'Archangel_Michael' but discovered that the smaller circles at left and right worked best when they virtually disappeared into the wing-like formation behind them. This then became the...

Year Created:

2019

Subject:
Styles:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

12 W x 6 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

In ancient Judaic mysticism, the Sephirot (or Quabbalistic Spheres) are the ten attributes or emanations surrounding the Infinite and by means of which it relates to the finite. The 'Eye of God' (Oculus from Latin 'eye'; pl: oculi) is a circular opening in the center of a dome or in a wall. Originating in antiquity, it is a feature of Byzantine and neoclassical architecture. I begin each work by constructing a linear geometry and only when satisfied with the composition will I introduce color. I consider geometry to be sacred but recognize that it is a form of mathematics and must be consciously constructed. Once resolved, it becomes a facade for the light which defines the act of painting. Color is Light and is divinely inspired - after 60 years of painting my vocabulary of sensory experiences is extensive enough so that every application of new color demands a response which seems predetermined. Working in a forgiving medium (acrylic paint) allows me to constantly change color, layer over layer until I achieve an inevitable balance and the light in the work is as it must be.

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