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As pedras do caminho que faço #6 Print

Paulo Canilhas

Portugal

Open Edition Prints Available:
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Fine Art Paper

Fine Art Paper

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8 x 12 in ($40)

8 x 12 in ($40)

16 x 24 in ($85)

24 x 36 in ($140)

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Black ($80)

White ($80)

Natural Wood ($80)

Metal: Light Pewter ($150)

Metal: Dark Pewter ($150)

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$40

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Da série “As pedras do caminho que faço”. Obra exposta no Solar dos Zagallos em Almada. Pintura em acrílico, carvão e spray de graffiti sobre tela. “As pedras estão lá. Por cada passo dado, por cada caminho escolhido recolho as minhas. Ao completar o dia amontoo, recolho, desvio-as, abraço-as,...” f...

Year Created:

2017

Subject:
Styles:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

8 W x 12 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

AlmadaPortugalBirth date July 29th 1969Place: Almada, Portugal 1989 with some Art colleagues and with the support from Professor and Sculptor Antonio Julio develops the NAP- Nucleo de Artes Plsticas do Laranjeiro which was a 'creative tank' for all the people involved in terms of plastic expression, resulting on some truly interesting exhibitions as well the main ignition of what it is today his work. Developing his artistic activity in his own way, showing his unique stream of feelings and image, always try to communicate through his artwork creating a holistic approach towards the public, either in painting, drawings, installations or digital art. It's almost automatic his way of doing Art; has not a previous study nor plan. Taking as an example the series of works made on steel, the whole set is a master combination of handling the material, torching resistance and impact, that can shine or even cut. Raw material is commanding the artist. Rarely starts an isolated piece of Art, he'd rather work on series which he's going developing through a chain of 'artistic family' with strong bonds among them.

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