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Original Contemporary Landscape Painting by Tatiana Iastrebova-Gasiglia
Original Contemporary Landscape Painting by Tatiana Iastrebova-Gasiglia
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Original Contemporary Landscape Painting by Tatiana Iastrebova-Gasiglia
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Original Contemporary Landscape Painting by Tatiana Iastrebova-Gasiglia
Original Contemporary Landscape Painting by Tatiana Iastrebova-Gasiglia
Original Contemporary Landscape Painting by Tatiana Iastrebova-Gasiglia
Original Contemporary Landscape Painting by Tatiana Iastrebova-Gasiglia
Original Contemporary Landscape Painting by Tatiana Iastrebova-Gasiglia

5

"August" Fine Art Print

Tatiana Iastrebova-Gasiglia, France

$40

Material
  • 100% cotton, acid-free, museum quality paper
  • Printed with archival pigmented inks
  • Has a 2"-3" white border with matte finish
Fine Art Paper
Size
12 x 9 in ($40)
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

it's a landscape imaginaire inspired by the nature and gardens of south of France, I want to share the admiration and endless beauty of the Côte d'Azur.

Year Created:

2015

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

12 W x 9 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

I emigrated from Russia nine years ago, now I live and work in south of France. I think a lot what may be considered new, fresh and unprecedented in our time. What could be new after endless post and brut, performances and street art. Tons of protests and pain are thrown onto canvases and other materials; often the literary part dominates the visual. But we've already seen it, it's not new. My position in painting is to turn to its visual component, not to cut people’s souls and also mine with my pain, but to heal with contemplation. I don’t try to put a direct literary or philosophical meaning into painting, but I work on associations and the subconscious, just as it happens in music or poetry.

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