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My “Flower Menace” series takes it’s inspiration from art history, mixing the Still Life paintings of the Old Masters with the Pop Movement and Andy Warhol’s silkscreen flower paintings from the early 1960’s. While mid-century pop artists such as Warhol would often photograph their flowers to create a silk screens with vibrant colors, I paint each flower by hand and then create a matching stencil from rigid metal screen to layer my own version of Benday dots, creating the dimensional depth and effect of 1950s and 1960s pulp comics. Although created and applied by hand, the shading on each flower brings to mind a line-cut for letterpress printing, with the areas of Benday overlay providing tonal shading and a dimensional effect as if from a printing plate. Bringing the still life paintings of the Old Masters firmly into the 21st-century, I carefully construct my own abstract version of flowers, a window and other common objects. Chemical and mechanical detail also at times adds a layer of composition and nods to the meaning in relationship between the subjects on a blended micro and macro level. These assemblages may seem radically different from the familiar still life, but both draw their inspiration from Old Master subjects, and both are visual deceptions that reveal themselves only if the viewer takes the time to stop and look.
Original Created:2021
Subjects:Floral
Materials:Glass
Styles:Pop ArtIllustrationFine Art
Mediums:OilScreenprinting
Print:Giclee on Fine Art Paper
Size:10 W x 10 H x 0.1 D in
Size with Frame:15.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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As a contemporary artist Taylor Smith explores social awareness through abstraction and figuration with elements of science, traditional still life and portraiture. Smith uses a wide variety of materials and mediums including reclaimed silkscreen frames, discarded analog technology, luxury brands and commercial packaging. She also incorporates mathematics, organic chemistry, mechanics and photography into her work. Frequently working with 8mm film and other analog film mediums, Smith blends the practice of filmmaking and painting. Her recent work explores the relationship between pop culture, luxury brands, political upheaval and crisis to create an unexpected and transformative experience.
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