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Original Conceptual Other Painting by Maritza Perez
Original Conceptual Other Painting by Maritza Perez
small-01
Original Conceptual Other Painting by Maritza Perez
small-02
Original Conceptual Other Painting by Maritza Perez
Original Conceptual Other Painting by Maritza Perez
Original Conceptual Other Painting by Maritza Perez
Original Conceptual Other Painting by Maritza Perez
Original Conceptual Other Painting by Maritza Perez

2

"Codigo Turquesa" Fine Art Print

Maritza Perez, United States

$100

Material
  • 100% cotton, acid-free, museum quality paper
  • Printed with archival pigmented inks
  • Has a 2"-3" white border with matte finish
Fine Art Paper
Size
6 x 12 in ($100)
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Turquois. Native American, codes, language .blue-Green, land, magic. Maritza Perez visual artist. Native American language used during the second world war. Acrylic painting and collage on wood. distressed, greys, blues.Antique black and white photo. vintage book image. Code Talkers of turquois...

Year Created:

2018

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

6 W x 12 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

I am a multimedia Cuban artist working across media, materials, and scales, from small collage to large art installations. I am a painter, sculptor, and photographer and use any of those in my work. I grew up in the second oldest part of the city of Havana, Cuba, three blocks from Havana Bay and the broad seawall stretching for 5 miles along the coast from old Havana to the new. From San Francisco, to Atlanta and many cities in between have been my home, and also Europe for several months and for a while the countryside in South Central Appalachia. Crafting narratives that exist in the uncanny space between facts and fiction and using old and new materials I make artworks with unpredictable stories half revealed that are imbued with history. I explore the dynamics of power relations, social constructs, fragmentation, transgressions, migrations and myths. Central to this is the weight of memory shaping the nonlinear continuity of history and geography, people and places. My process is to allow stories to surface, to propose ways in which we mutate perspectives and see with new eyes allowing for the openness of alternative readings to emerge. From unexpected sources new works are created and official narratives are re-examined, enhanced, or dismantled. I am attracted to hybridity, the forgotten history, the anonymous image, the found object. Also religious symbol, intuitive gesture, and text. During a process of recombining, the unexpected becomes visible in a multiplicity of works which involve research and planning but also allows for preconceived ideas to give way to flux, chance, and non-permanence. The element of time that has passed is evident in the quality of used or manipulated materials. In other works new materials are used and objects specifically created. My work can be precise and clean, visceral, rustic, minimal or baroque, where imperfection is embraced and flourishes, and the mark of life on everything touched that has history and meaning emerges to be a witness. As each work evolves the medium, forms, and materials find their place in a process that always attracts new ideas to be investigated and new bodies of work to be created. Latin America Modernism, Literature, African Art, Arte Povera, The Russian Avant-Garde, world religions, California assemblage, Native American pottery are some of the things that have influenced and guided my work.

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