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Original Photorealism Still Life Painting by Robert Rogers
Original Photorealism Still Life Painting by Robert Rogers
small-01
Original Photorealism Still Life Painting by Robert Rogers
small-02
Original Photorealism Still Life Painting by Robert Rogers
Original Photorealism Still Life Painting by Robert Rogers
Original Photorealism Still Life Painting by Robert Rogers
Original Photorealism Still Life Painting by Robert Rogers
Original Photorealism Still Life Painting by Robert Rogers

2

"Exa Camera Dresden" Fine Art Print

Robert Rogers, Australia

$40

Material
  • 100% cotton, acid-free, museum quality paper
  • Printed with archival pigmented inks
  • Has a 2"-3" white border with matte finish
Fine Art Paper
Size
10 x 10 in ($40)
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

I have re-engaged with realism and photographed then painted objects from my house- however this is an old East German camera I found online. I have started painting cameras- such great shapes, limited palette and precise!

Year Created:

2017

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

10 W x 10 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Drawing and painting seem to be two of the threads that bind and connect my life. Many of my earliest memories growing up in Australia involve holding a brush or pencil in my left hand. I used to draw on the cardboard stiffening from my dads shirts, the flyleaves of books, or paper I cadged from the butcher, anything, just to have a surface to make some marks upon. For some years I worked in encaustic and abstraction, exploring the elements of texture and composition. However, in 2015 I found myself returning to realism, in particular an exploration of household objects. These still life pictures and the study of small things, beyond bringing me into contact with a variety of surface and texture, have had me thinking about the nature of our surroundings and the objects we gather. Some mundane, others accumulating the patina of use and holding precious memories.

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