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Original Abstract Expressionism Body Painting by Lucy O'Donovan
Original Abstract Expressionism Body Painting by Lucy O'Donovan
small-01
Original Abstract Expressionism Body Painting by Lucy O'Donovan
small-02
Original Abstract Expressionism Body Painting by Lucy O'Donovan
Original Abstract Expressionism Body Painting by Lucy O'Donovan
Original Abstract Expressionism Body Painting by Lucy O'Donovan
Original Abstract Expressionism Body Painting by Lucy O'Donovan
Original Abstract Expressionism Body Painting by Lucy O'Donovan

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"Female Nude I" Fine Art Print

Lucy O'Donovan, United Kingdom

$40

Material
  • 100% cotton, acid-free, museum quality paper
  • Printed with archival pigmented inks
  • Has a 2"-3" white border with matte finish
Fine Art Paper
Size
9 x 12 in ($40)
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This is a nude self-portrait, where I had become fascinated with not only the skin but also what lies beneath it - muscle, tendons, bone, joints, fat. Having qualified as a vet I had done the anatomy of a animals, but I bought the clinical atlas of humans. So, I was exploring the internal make up of...

Year Created:

2003

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

9 W x 12 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

When I, Lucy O’Donovan started with oil I was searching for the perfect colours and textures to depict flesh, muscle and skin tone of the human form. Working with oil was considerably different from the other mediums that I had worked with, and I started to develop a fascination with the surface qualities and colour richness of the oil paint. As my paintings evolved, so too has my technique and I often work primarily by building up layers of thick, rich and multi coloured textures. I find that constructing a three dimensional surface in this way not only allows me to depict tissue the way I want, but that as a result a much more visceral piece of work emerges. My painting in the present day is driven by fascination with the human body and the feelings that this invokes. For me it is important to portray the body in as honest a way as I can, irrespective of whether it would be considered classically beautiful or not. I am aware that the motivation behind this is probably a kick back against the social pressures of achieving the perfect figure. The shape, colour and quality of flesh are something that I constantly try to attain. It is always a battle to manage the colour and texture of the oil, a balance of which I feel is never quite achieved. I tend to paint the people who are involved in my life, as an emotional attachment often drives and influences the way I paint. I claim that painting is a fairly self-obsessed process: I often paint in order to work through my own issues and those relating to the subject. As an English citizen born in 1975 in Liverpool, I graduated as a veterinarian before returning to academia to complete a PhD in 2002. Outside of art, the science of mental illness is my other great passion. I carried out molecular biology research into the brain, and studied the pathways and genes involved in both schizophrenia and stroke, at the Universities of Glasgow, Strathclyde and Melbourne. More recently I have become the co-founder of an online project called cRxeate. This consists of vets, doctors and dentists who use creativity in whatever form, to relax and de-stress during their career. The process of creativity has been shown as a way forward out of burnout and self-erosion by enriching and providing headspace.

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