61
"Funambule - Tightrope Walker" Fine Art Print
$172
Material
- Archival acid-free canvas
- Laminated with protective lustre surface
- Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Size
Select a Canvas Wrap
Frame
Archival-grade Materials
Fade-resistant Inks
Professionally Printed
ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
extracted from the movie 'le funambule' with Philippe Petit, tightrope walker. In 70's during the twin towers building, he walked and danced on a rope during 2 hours, laughing on the death face, it was the first noticed event of the Twins, we all sadly know the latest…
Year Created:
2011
Subject:
Styles:
Medium:
Print, Giclee on Canvas
Rarity:
Open Edition
Size:
16 W x 20 H x 1.25 D in
Ready to Hang:
Yes
Frame:
Not Framed
Canvas Wrap:
Black Canvas
Packaging:
Ships in a Box
Delivery Cost:
Calculated at checkout.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.
Handling:
Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:
Printing facility in California.
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Need more information?
Patrice Palacio is a French visual artist whose main medium is painting. He is 47 years old and lives in the south of France. His work develops in the form of series essentially articulated around two constants: - The achromy of black and white. - Fragmentation of the pictorial surface. The exclusive use of black and white is induced by a research initiated for more than 10 years on tone and luminance, the direct and the essential. The fragmentation of the surface, on the other hand, engages the viewer in a dual figuration / abstraction that quickly becomes useless to apprehend the work and therefore questions the relation to the Real and its representation. Palacio summarizes this paradox, this "permanent return and return from the detail to the whole" as the only condition for finding "the place of the gaze" which teaches about one's own perception. "It is not so much my art that is contemporary as its spectators."
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