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Gathering Clounds Print

Deb Mccarroll

United States

Open Edition Prints Available:
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16 x 16 in ($125)

16 x 16 in ($125)

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Acrylic with oil pastel and distressed gold leaf on canvas. A storm rolls in over distant mountains and lush grass. This painting features strips on the surface, shifting and fading with changing light due to contrasting sheens of varnish. As one moves around the painting shapes appear and retreat o...

Year Created:

2014

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

16 W x 16 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Deb McCarroll is an emerging artist living and working in Seattle, WA. She's an award-winning painter and writer, having been featured in the arts magazine Stone Voices Arts Quarterly and Still Point Arts magazine. She won 'Best Painting' in the Still Point Gallery 'Abstracts' juried competition. Her book, 'The Long, Hot Walk' was short-listed for the prestigious Nancy Pearl award and won a North Street book prize. McCarroll has exhibited nationally and her work is featured in numerous private collections. Trained in graphic design, McCarroll's work deliberately resides in the space between figurative and abstract. Her acrylic paintings feature selectively oxidized metal leafs over textured color, resulting in pictures full of movement and light. The work explores themes of nature, dreaming and memory. "I'm always juggling lots of different things in my work, but I suppose my main interest is the process of painting itself. I say process because my way of working isn't just about paint. I try to work with materials that show age and history. The metal leafs oxidize and tarnish in unpredictable ways and I love that. I love 'painting' with that chemistry. It's an organized chaos. I rub in dry pigments, I scratch and sand and generally do all I can to give the work depth. It's labor-intensive but the result is often light and spontaneous."

Artist Recognition
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