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Original Conceptual Abstract Painting by Gareth Pitt-Hart
Original Conceptual Abstract Painting by Gareth Pitt-Hart
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Original Conceptual Abstract Painting by Gareth Pitt-Hart
small-02
Original Conceptual Abstract Painting by Gareth Pitt-Hart
Original Conceptual Abstract Painting by Gareth Pitt-Hart
Original Conceptual Abstract Painting by Gareth Pitt-Hart
Original Conceptual Abstract Painting by Gareth Pitt-Hart
Original Conceptual Abstract Painting by Gareth Pitt-Hart

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"Growing up the Motherwell" Fine Art Print

Gareth Pitt-Hart, United States

$40

Material
  • 100% cotton, acid-free, museum quality paper
  • Printed with archival pigmented inks
  • Has a 2"-3" white border with matte finish
Fine Art Paper
Size
10 x 10 in ($40)
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

I inspired this work with the memory of my Russian grandmother, she never was complex and always thought in black and white. She loved Nevelson. She was challenged by the sixties modernists. I think this might meet them halfway.

Year Created:

2021

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

10 W x 10 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Gareth Pitt-Hart is an abstract painter based in St. Louis, Missouri. He works across canvas, newsprint, and salvaged cardboard, creating paintings that explore trace, entropy, signal, and emotional residue. Built through layering, erasure, and repetition, the work balances structure with breakdown. Using acrylic, oil, pastel, graphite, and ink, Pitt-Hart embraces material instability as part of the process. Surfaces may wrinkle, fade, buckle, or soften over time. These are not polished objects chasing permanence, but living works shaped by gesture, pressure, and change. His paintings draw from abstraction, ritual mark-making, and a raw visual language that feels unearthed rather than designed. Some read as fragments, signals, or artifacts; others hold a more direct physical presence. View larger works and the full studio archive at garethpitthart dot com.

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