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Artist featured in a collection
Abstract expressionism is a post–World War II art movement in American painting, developed in New York in the 1940s.[1] It was the first specifically American movement to achieve international influence and put New York City at the center of the western art world, a role formerly filled by Paris. Al...
2019
Print, Giclee on Fine Art Paper
Open Edition
10 W x 10 H x 0.1 D in
No
Not Framed
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Richard Jolicoeur (1952-), Ph. D, solitary self-taught artist, was able to reconcile for thirty-five years his work as a teacher and the concrete expression of a double creative passion inspired by the spirit of north-american counter-culture both in his musical (bandcamp/richard jolicoeur) and pictural works. He embodied some of his main pictural concerns during the eighties while he was an active participant in a few collective exhibitions in the National Capital Area as well as in a solo retrospective of his work in 1983 called My heart is large as a pizza. Handling alternately humour, self-mockery, misappropriation as well as the spirit of collage in his pop naïve production, some of his works have found themselves in private collections. For a few years, he also presided the board of directors of the SAHB (). The interest he has shown in the musical experiment process expresses itself alternately through theatral rock (Carnivore : https://www.youtube.com/watch?v=SydoQwYvK20), noise music and free jazz with Les Vents Fous, a group active in parrallel galeries. This last decade has been dedicated to computer aided music production (CAMP : 6), several musical works available online are testimony to that fact (https://www.youtube.com/watch?v=pnHSusHPJfw&feature=youtu.be) . Video production is also one indication of his interest for images in musical setting (https://www.youtube.com/watch?v=_CNn-03ZKJk), for poetry and spoken words (https://www.youtube.com/watch?v=pb0t5xZvIS8) and even for complete production of corporate videos (https://www.youtube.com/watch?v=yVT4nx6gjN4). 2013 marks a return to the practice : «I did a painting in the way of Jackson Pollock and I realized that it was the same painting I did 25 years ago… so I went back to painting, to paint new things.». And, as stated judiciously by Rod Stewart’s third album’s title, Every Picture Tells a Story (1971), Jolicoeur tries to express in his new vintage-flavoured production simple ideas that will sometines make the beholder smile because of their naivety and studied contrats or by obvious references. The artist signs and leave you only judges.
Artist featured by Saatchi Art in a collection
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