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Original Abstract Expressionism Abstract Painting by Michelle Daisley Moffitt
Original Abstract Expressionism Abstract Painting by Michelle Daisley Moffitt
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Original Abstract Expressionism Abstract Painting by Michelle Daisley Moffitt
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Original Abstract Expressionism Abstract Painting by Michelle Daisley Moffitt
Original Abstract Expressionism Abstract Painting by Michelle Daisley Moffitt
Original Abstract Expressionism Abstract Painting by Michelle Daisley Moffitt
Original Abstract Expressionism Abstract Painting by Michelle Daisley Moffitt
Original Abstract Expressionism Abstract Painting by Michelle Daisley Moffitt

11

"Happy Together" Fine Art Print

Michelle Daisley Moffitt, United States

$128

Material
  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas
Size
16 x 20 in ($128)
Select a Canvas Wrap
White Canvas
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Acrylic, paper and pencil on canvas. The painting continues around the edges of the canvas. The painting will be signed on the front and is signed, titled and dated on the reverse. Hardware is attached and it is ready to hang. No need to frame.

Year Created:

2020

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

16 W x 20 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

White Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Within these images, I have attempted to explore my intuitive responses to my life and experiences. I have sought to produce bold, outgoing images through my private and internal struggles to come into harmony with myself. Because my concerns usually center on a symbolic and narrative "˜inscape', I expect the viewer will become involved in his or her own interpretations. I am concerned with conveying the range of primal emotions, which every individual feels. I attempt to explore this emotive impact through strong color as it relates to abstracted natural forms. "Art is important for it commemorates the seasons of the soul, or a special or tragic event in the soul's journey. Art is not just for oneself, not just a marker of one's own understanding. It is also a map for those who follow after."1 I attempt, through my own understanding of the emotions I experience, to reach out universally with my images, trying to share what others might feel. I achieve this with the overt physicality of the abstractions combined with the active and expressive color. The work elicits an emotional response because it is at once aggressive and pleasurable. These are celebratory images, even when they display anger or aggression. They are so in the sense that even when these negative emotions are explored, they are treated as passionately and as forcefully as the less destructive emotions. My use of the landscape form exists so that I may physically structure my images around natural forces. The images in nature are inexhaustible, allowing for constant variety to examine and manipulate color and the other formal elements. Through this manipulation of natural forms, I trace the passion and vigor that is present during the works conception. I want these landscapes or inscapes, as I prefer to call them, to develop the personal symbolism within the image. To me, my work conveys the urgency in acting on ones own emotions. These internal feelings spring from outside stimuli and are acted out aggressively. Since I am a private person, I feel my work speaks visually of my personality in ways that I choose not to speak verbally. It explores the depth of my soul and mind. When I work on these images, the universality of the range of primal emotions alive in every individual is explored on a grand scale and for this reason I feel they are objects to which every person can relate in one way or another.

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