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Original Conceptual Landscape Painting by Paolo Perfranceschi
Original Conceptual Landscape Painting by Paolo Perfranceschi
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Original Conceptual Landscape Painting by Paolo Perfranceschi
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Original Conceptual Landscape Painting by Paolo Perfranceschi
Original Conceptual Landscape Painting by Paolo Perfranceschi
Original Conceptual Landscape Painting by Paolo Perfranceschi
Original Conceptual Landscape Painting by Paolo Perfranceschi
Original Conceptual Landscape Painting by Paolo Perfranceschi

5

"It's a wonderful world, Mr Hockney!" Fine Art Print

Paolo Perfranceschi, France

$160

Material
  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas
Size
20 x 16 in ($160)
Select a Canvas Wrap
Black Canvas
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This painting was born following a question I ask myself: perhaps to be both a mediocre painter and also the most famous contemporary painter in the world? Yes, of course, in a wonderful world ...

Year Created:

2021

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

20 W x 16 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Paolo Perfranceschi is an emerging Italian painter who has exhibited his work in France. Paolo Perfranceschi underwent a purely technical training during his adolescence in order to develop his conception of space according to the rigour of the prospects of proto-Renaissance. The influence of "his first loves", Fra Angelico, Paolo Uccello and Piero della Francesca, is recurrent in his painting. After revisiting classical painting, his style took an important turn: his fascination for the Buddhist pantheon and the great Asian decorative tradition decided him to undertake his first decorative experiments and rediscover traditional techniques of traditional painting (such as casein painting, egg tempera, oil painting) then to convert to the exclusive use of natural products ecological and solvent free. His passion for David Lynch’s cinema, deeply pictorial in the structure of his shots, led him to revisit the work of Edward Hopper and especially Balthus. The solitude of the characters in space and the "suspension" of the figures (often frozen as worrying presences in the middle of the set) are the leitmotiv of his last paintings.

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