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Original Folk Religion Painting by Tim Bradford
Original Folk Religion Painting by Tim Bradford
small-01
Original Folk Religion Painting by Tim Bradford
small-02
Original Folk Religion Painting by Tim Bradford
Original Folk Religion Painting by Tim Bradford
Original Folk Religion Painting by Tim Bradford
Original Folk Religion Painting by Tim Bradford
Original Folk Religion Painting by Tim Bradford

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"Jeb, God Of Bluegrass Gig Ticket Availability" Fine Art Print

Tim Bradford, United Kingdom

$40

Material
  • 100% cotton, acid-free, museum quality paper
  • Printed with archival pigmented inks
  • Has a 2"-3" white border with matte finish
Fine Art Paper
Size
8 x 10 in ($40)
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

You might think that there was no need for a god for this kind of thing – but have you ever tried to get tickets for some hot new band from Carolina or Kentucky when they’re playing a smallish venue in London? Part of the Useful Gods series.

Year Created:

2013

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

8 W x 10 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

I am what is generally known as a new wave pop folk artist. Usually I work by sitting at a desk with my head in my hands staring at the wall for several weeks, before jumping up and doing a painting in a few minutes. After which I kiss it lovingly - though only when it's dry. My technique is based around putting down various colour layers - with hands, brushes, knives, bits of rag or old gloves - adding new colour quickly and then scratching away wet paint to show the layer below. This is in part an attempt to reveal the perceived mask/veneer of subjects, be they lanscapes, people or memories. It also works on a more sensual level, allowing me to attack my own paintings and crack them open a little bit. Although I'm now older than John Lennon was when he died, and Dino Zoff was when he collected a World Cup winner's medal, I like to think of myself as an emerging artist. I'm just emerging in slow motion.

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