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Original Impressionism Language Painting by George Barecca
Original Impressionism Language Painting by George Barecca
small-01
Original Impressionism Language Painting by George Barecca
small-02
Original Impressionism Language Painting by George Barecca
Original Impressionism Language Painting by George Barecca
Original Impressionism Language Painting by George Barecca
Original Impressionism Language Painting by George Barecca
Original Impressionism Language Painting by George Barecca

1

"Long Island City at Dawn" Fine Art Print

George Barecca, United States

$50

Material
  • 100% cotton, acid-free, museum quality paper
  • Printed with archival pigmented inks
  • Has a 2"-3" white border with matte finish
Fine Art Paper
Size
10 x 8 in ($50)
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This is the third in the series of paintings devoted to my impressions an this particular spot in the city at dawn. It is a stop light on the service road for the FDR at 34th Street. This painting has the sun's light just breaking through the clouds prior to sunrise off the opposite shore of the r...

Year Created:

2018

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

10 W x 8 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

I have been drawing since kindergarten and learned to paint during my higher education. I started out as an abstract painter, but decided I was better served working within the classical genres. This provided me with a rule against which to measure my progress which helped improve my technical reach. My style eventually evolved into a mingling of my abstract tendencies with my representational work. I will often paint a subject in legion, crowding off the edges of the canvas. This serves to illustrates the dynamic of opposites such as the individual vs. the communal and randomness vs. order.

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