4
"Napoleon and the red" Fine Art Print
$258
Material
- Archival acid-free canvas
- Laminated with protective lustre surface
- Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Size
Select a Canvas Wrap
Frame
Archival-grade Materials
Fade-resistant Inks
Professionally Printed
ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
This work is part of a series made on the repetition of certain elements that have characterized the intense artistic activity of the artist.
Year Created:
2013
Subject:
Styles:
Medium:
Print, Giclee on Canvas
Rarity:
Open Edition
Size:
14 W x 21 H x 1.25 D in
Ready to Hang:
Yes
Frame:
Not Framed
Canvas Wrap:
Black Canvas
Packaging:
Ships in a Box
Delivery Cost:
Calculated at checkout.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.
Handling:
Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:
Printing facility in California.
Need more information?
Need more information?
Pisciotta Federico was born in Rome on 30 October 1975. He graduated in 1993 at the VI Art School in Rome and in 1997 in painting at the Academy of Fine Arts in Rome, with Nunzio Solendo and Sandro Trotti. After teaching for several years in the capital, he devoted himself exclusively to painting and contemporary art research. From 2013 lives and works in Fara in Sabina, at his studio "700Artecontemporanea". He has participated in group exhibitions, solo and international exhibitions in Italy and abroad exposing at some prestigious public spaces such as the Foundation Museum Venanzo Crocetti in Rome, the Stables of Aragona Palace in Vasto, CH, the DAP1 Gallery in Warsaw and Halle 50 at the DomagkAteliers in Monaco of Bavaria. One of his latest projects, introduced in Germany in 2014, employs a personal process of painting review, supported by multimedia interactions that recall the obsessive presence of the informatics iconography.
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