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Original Impressionism Nature Painting by Charlotte Pollock
Original Impressionism Nature Painting by Charlotte Pollock
small-01
Original Impressionism Nature Painting by Charlotte Pollock
small-02
Original Impressionism Nature Painting by Charlotte Pollock
Original Impressionism Nature Painting by Charlotte Pollock
Original Impressionism Nature Painting by Charlotte Pollock
Original Impressionism Nature Painting by Charlotte Pollock
Original Impressionism Nature Painting by Charlotte Pollock

2

Oak'S Reverie Fine Art Print

Charlotte Pollock, United States

$42

Material
  • 100% cotton, acid-free, museum quality paper
  • Printed with archival pigmented inks
  • Has a 2"-3" white border with matte finish
Fine Art Paper
Size
10 x 10 in ($42)
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Inspired by the oak tree in my yard and the motherly quality of her branches.

Year Created:

2019

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

10 W x 10 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

I am inspired by Nature and the grounding act of painting. Embracing magic realism and using the traditions of plein-air, I paint to reveal deeper insights of my perceptions. Painting and mark-making for me is a ritualistic and nuanced form of record keeping. Enjoying the layers of process, I strive to generate a feeling of complexity anchored in memories and experiences by releasing the many sensations, feelings, and thoughts through my brush into my matrix of marks on the surface. This allows for the work to slowly reveal itself to the viewer and makes an interior world accessible. I use painting as a form of heightened communication to understand my own journey and to create relics of gratitude.

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Erin Remington, Curatorial Director