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‘Passer du coq à l’âne Print

Arp Raph

Spain

Open Edition Prints Available:
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Fine Art Paper

Fine Art Paper

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12 x 8 in ($51)

12 x 8 in ($51)

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White ($80)

Black ($80)

White ($80)

Natural Wood ($80)

Metal: Light Pewter ($150)

Metal: Dark Pewter ($150)

No Frame

$131

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Painting: Acrylic, Ink, Pencil on Canvas. French Idioms is a new series that came about from spending time with friends during the pandemic.We talk about languages, the differences between the French and English language and finally Idioms. We talked for hours over cheese and wine and found Idioms w...

Year Created:

2020

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

12 W x 8 H x 0.1 D in

Size with Frame:

17.25 W x 13.25 H x 1.2 D in

Ready to Hang:

Yes

Frame:

White

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Born to English parents. Lived in Nigeria, Kenya and Papua New Guinea for first 12 years. Statement: The continual questioning that forms the basis of Arp Raph’s work, alongside his exploration of the underlying codes within the political and cultural arena, is the result of his participation in the experiences around him; he conjures up images that serve to engage his viewers in a form of critical thinking about - and close examination of - the events he references and the anecdotes that arise from these. The socio-cultural aspect plays a particularly significant role. 'I find that searching for answers dictates which materials are used and how'. His methods characteristically involve both 2 and 3 dimensional puzzles, visual metaphors and a focus on the conspicuous imperfections in the subjects he chooses. The assemblage of his installations makes for an interactive experience: ’It’s necessary to capture the viewers’ attention and one way to do that is to get them involved.’ By facilitating this involvement, his works offer the viewer the possibility of engaging in a discourse on what goes on around them.

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