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Original Conceptual Nature Painting by Nick Gyllin
Original Conceptual Nature Painting by Nick Gyllin
small-01
Original Conceptual Nature Painting by Nick Gyllin
small-02
Original Conceptual Nature Painting by Nick Gyllin
Original Conceptual Nature Painting by Nick Gyllin
Original Conceptual Nature Painting by Nick Gyllin
Original Conceptual Nature Painting by Nick Gyllin
Original Conceptual Nature Painting by Nick Gyllin

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"Polar Love" Fine Art Print

Nick Gyllin, Sweden

$179

Material
  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas
Size
16 x 16 in ($179)
Select a Canvas Wrap
White Canvas
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Insipiration was a caring mother to all life, and the fact that i feel extra for the animals and ppl in thise art work.

Year Created:

2019

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

16 W x 16 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

White Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

My name is Nick Gyllin. I'm trying to be the best artist I can do in my lifetime. I work towards a dreamy realism at the core and the meeting between man animal and man with nature as well as human food realism. I have been in depth without foundation for looking for that particular drama and applying it in my works, where you find and experience the mix of nature's cruelty but also beauty, this cruelty you also see in life versus her beauty. The aim is and manages to capture a fraction of that experience in an illustration for creating drama in brushstrokes and illustration. I want to develop live paintings behind the illustration. There should be both fixed hard points in my art but at the same time a more relaxed and loose part. In different shifts and layers, I work towards a vibrating light to build an experience of life in the oil painting. My tools range from palette knuckles, different types of brushes" flat, round, but also homemade tools, all the mediums available and just suit the situation. I have previously worked with Acryl, Pouring effects and watercolor painting, but Oil was what suited me best.

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