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Original Figurative Landscape Painting by Eugenia Alekseyev
Original Figurative Landscape Painting by Eugenia Alekseyev
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Original Figurative Landscape Painting by Eugenia Alekseyev
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Original Figurative Landscape Painting by Eugenia Alekseyev
Original Figurative Landscape Painting by Eugenia Alekseyev
Original Figurative Landscape Painting by Eugenia Alekseyev
Original Figurative Landscape Painting by Eugenia Alekseyev
Original Figurative Landscape Painting by Eugenia Alekseyev

14

"Prosperity, Apple Tree Full of Red Ripe Apples, Season of Crop and Prosperity" Fine Art Print

Eugenia Alekseyev, United Kingdom

$95

Material
  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas
Size
12 x 16 in ($95)
Select a Canvas Wrap
White Canvas
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

What can be better than the view of an apple tree full of ripe crisp red apples on a sunny day? It is energising, optimistic and happy image. For me it's a symbol of prosperity and happiness. I painted it over several sessions on location (in fact, on a roof of a building) to capture the energy an...

Year Created:

2020

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

12 W x 16 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

White Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

I am a passionate plain-air painter: painting outside, on location, is essential for creating my landscapes. To capture the feel and spirituality of the moment I have to work fast in plein air before the scene changes and often have to return to the locations several times to directly observe the scene and study the light and colour variations: photographs are a poor substitute to a live impression. I also paint still lives, especially flowers, and figure compositions. Similar to my landscapes I usually paint while directly observing the subject and creating multiple studies to bring genuine emotions onto the canvas.

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