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Original Figurative Graffiti Painting by Sebastien Waknine
Original Figurative Graffiti Painting by Sebastien Waknine
small-01
Original Figurative Graffiti Painting by Sebastien Waknine
small-02
Original Figurative Graffiti Painting by Sebastien Waknine
Original Figurative Graffiti Painting by Sebastien Waknine
Original Figurative Graffiti Painting by Sebastien Waknine
Original Figurative Graffiti Painting by Sebastien Waknine
Original Figurative Graffiti Painting by Sebastien Waknine

1

"Red Dwarf" Fine Art Print

Sebastien Waknine, Spain

$100

Material
  • 100% cotton, acid-free, museum quality paper
  • Printed with archival pigmented inks
  • Has a 2"-3" white border with matte finish
Fine Art Paper
Size
8 x 10 in ($100)
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

The Portal Awakening, a polluted Planet. Cycles lead way to change.

Year Created:

2018

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

8 W x 10 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Sebastien Waknine absorbs heterogeneous elements that come from both ancestral cultures and graffiti pioneers, combining pictographs with totemic references, loans from esoteric imagery and winks at abstract expressionism or art brut. Witnessing what inspires the Artist throughout this iconographic collection, Waknine composes plastic universes where the apocalyptic and redeeming tone often coexist. On the very same pictorial surface we see scenes of birth and death, violence and salvation, Sanity and Insanity. There is a strong admiration and fascination with millenary cultures, African tribes to American Indians with their sacredness of masks and rituals. This the artist reinterprets through portraits of zoomorphic or human iconic figures, thus creating his own pantheon of gods, heroes and demons. The chromatic saturation and the deformation of the features impregnate those faces of hieratic crudity. They make up a gallery of teratological beings that arouse horror and tenderness simultaneously, inhabitants of an archaic age, of a posthuman future or of a world parallel to ours. Anna Adell

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