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Original Other Abstract Painting by Erica Geralds
Original Other Abstract Painting by Erica Geralds
small-01
Original Other Abstract Painting by Erica Geralds
small-02
Original Other Abstract Painting by Erica Geralds
Original Other Abstract Painting by Erica Geralds
Original Other Abstract Painting by Erica Geralds
Original Other Abstract Painting by Erica Geralds
Original Other Abstract Painting by Erica Geralds

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"STAINGLASS" Fine Art Print

Erica Geralds, United States

$125

Material
  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas
Size
16 x 16 in ($125)
Select a Canvas Wrap
Black Canvas
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

non objective painting

Year Created:

2010

Subject:
Styles:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

16 W x 16 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

ARTIST STATEMENT It was only a few years ago, that I received my BFA in Fine Arts from the Fashion Institute of Technology. What I found within that passage of time would change my painting forever. I had succumbed to an overwhelming need to escape my inhibitions when it came to applying paint to canvas. I began to experiment more actively with acrylic inks along with their interaction with other mediums. I was attempting to develop an uncontrolled style of painting that focused on process. The goal was to unveil something entirely primal inside of me to expose a childlike freedom in the application of paint. I wanted it to be something that could be matured and honed even in the process of pouring. As a result the work was evolving into an exploration of fluid movement of colors and textures aligned with a clarity that was not discovered until the completion of a piece. Literally, with the assistance of various pouring containers I cultivated techniques that unfolded these environmentally based paintings. Once a composition had manifested a strong image I sometimes introduce brush work or chopsticks dipped in ink when and where I thought necessary. My choice of palette was the only predetermined factor in my painting practices.

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