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Scherzo for Motorcycle Print

Philip Leister

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About The Artwork

Scherzo For Motorcycle And Orchestra is played as Indiana Jones and his father flee from Castle Brunwald. With Indy driving a stolen motorcycle and his father riding in the sidecar, the Joneses narrowly and creatively escape the clutches of several Nazis chasing in their own motorcycles. It was written and conducted by Emmy winning composer, John Williams, for Indiana Jones and the Last Crusade. The fast pace and stressful feeling conveyed is an active part of the scene with almost no dialogue. The score follows the story by utilizing the Nazi Motif (Last Crusade) and the Raiders March, and highlights the action, speed, and humor of the getaway sequence. The track is also featured in the ending credits of the film. Source: Indiana Jones Wiki Indiana Jones and the Last Crusade is the soundtrack to Steven Spielberg's 1989 film of the same name. It was released by Wea in 1989. The music was composed and conducted by John Williams, and performed by a studio orchestra. The official album only contains key moments from the film's score and is out of print. The expanded edition was officially released by Concord Music Group in a box set with the soundtracks of the other Indiana Jones films on November 11, 2008. Williams' arrangement of the Königgrätzer Marsch, the German military march that is played during the Berlin book burning scene, does not appear on the soundtrack. Indiana Jones and the Last Crusade is a 1989 American action-adventure film directed by Steven Spielberg, from a story co-written by executive producer George Lucas. It is the third installment in the Indiana Jones franchise. It is also the first Indiana Jones film to be rated PG-13. Harrison Ford returned in the title role, while his father is portrayed by Sean Connery. Other cast members featured include Alison Doody, Denholm Elliott, Julian Glover, River Phoenix, and John Rhys-Davies. In the film, set largely in 1938, Indiana searches for his father, a Holy Grail scholar, who has been kidnapped by Nazis. After the mixed reaction to Indiana Jones and the Temple of Doom, Spielberg chose to tone down the dark tone and graphic violence in the next installment. During the five years between The Temple of Doom and The Last Crusade, he and executive producer Lucas reviewed several scripts before accepting Jeffrey Boam's. Filming locations included Spain, Italy, West Germany, Jordan, the United Kingdom, and the United States. The film was released by Paramount Pictures in North America on May 24, 1989 to mostly positive reviews and was a financial success, earning $474.3 million at the worldwide box office. It won an Academy Award for Best Sound Effects Editing. A sequel, Indiana Jones and the Kingdom of the Crystal Skull, followed in 2008. John Towner Williams (born February 8, 1932) is an American composer, conductor, pianist and trombonist. In a career that has spanned nearly seven decades, he has composed some of the most popular, recognizable, and critically acclaimed film scores in cinematic history. Williams has won 25 Grammy Awards, seven British Academy Film Awards, five Academy Awards, and four Golden Globe Awards. With 52 Academy Award nominations, he is the second most-nominated individual, after Walt Disney. His compositions are considered as the epitome of film music. In 2005, the American Film Institute selected Williams's score to 1977's Star Wars as the greatest film score of all time. The Library of Congress also entered the Star Wars soundtrack into the National Recording Registry for being "culturally, historically, or aesthetically significant". Williams has composed for many critically acclaimed and popular movies, including the Star Wars saga, Jaws, Close Encounters of the Third Kind, Superman, E.T. the Extra-Terrestrial, Home Alone, the Indiana Jones films, the first two Jurassic Park films, Schindler's List, and the first three Harry Potter films. Williams has also composed numerous classical concertos and other works for orchestral ensembles and solo instruments. He served as the Boston Pops' principal conductor from 1980 to 1993 and is its laureate conductor. He has been associated with director Steven Spielberg since 1974, composing music for all but five of his feature films. Other works by Williams include theme music for the 1984 Summer Olympic Games, NBC Sunday Night Football, "The Mission" theme used by NBC News and Seven News in Australia, the television series Lost in Space and Land of the Giants, and the incidental music for the first season of Gilligan's Island. Williams was inducted into the Hollywood Bowl's Hall of Fame in 2000, and received a Kennedy Center Honor in 2004 and the AFI Life Achievement Award in 2016. He has composed the score for eight of the top 25 highest-grossing films at the U.S. box office (adjusted for inflation). His work has influenced other film composers and contemporary classical and popular music. Marcus Paus argues that Williams' "satisfying way of embodying dissonance and avant-garde techniques within a larger tonal framework" makes him "one of the great composers of any century”. Source: Wikipedia

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:12 W x 6 H x 0.1 D in

Size with Frame:17.25 W x 11.25 H x 1.2 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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