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43

View In My Room

Soon you'll be a ghost Print

James Ormiston

Spain

Open Edition Prints Available:
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Canvas

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16 x 20 in ($120)

16 x 20 in ($120)

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White ($160)

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$120

134 Views

43

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ABOUT THE ARTWORK
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My grandma used to talk about leaving her body at night. Tethered to her sleeping body by some kind of silver umbilical cord, she would float above herself. I imagine her ghost-nose pressing against the cold of the ceiling, alerting her to her newly buoyant astral body. She'd turn over to watch her...

Year Created:

2023

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

16 W x 20 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

White Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

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Need more information?

James Ormiston is a kiwi born artist who made the move to Barcelona in early 2022. He grew up on a farm in rural New Zealand before moving to Dunedin, NZ, in his late teens to pursue a career in the arts. He studied Fine Art for a time at the Dunedin School of art, but left when opportunities arose to found an art gallery and focus on his illustration work; The latter would ultimately earn him a spot in an Australian Art Residency Program in 2017, prompting a move to Melbourne. The residency program gave James the chance to transition away from illustration and into Fine art by enabling him to study under a variety of contemporary realist painters to hone his skills. For the past few years James has continued to concentrate on finding his voice in a fine art context while maintaining a commitment to finding joy in the creative process. Seeing creation as a practice, not a performance, has been an invaluable shift in mindset, to which he credits his recent artistic output. His practice has largely taken the form of experimental portraiture in the genre of “disrupted realism”. The current body of work “Pushing through the skin” explores themes of identity, multiplicity, and the concept of self. The work in this series seeks to distance portraiture from faithful representation by distorting the subjects into near-anonymity through abstraction, omission, and the push and pull of order and chaos. Veins of bright colours piercing through carefully rendered realism are a recurring motif within the series; a nod to the dance of contradictions that co-exist within all of us. “Do I contradict myself? Very well then I contradict myself, (I am large, I contain multitudes.)” ― Walt Whitman, Leaves of Grass

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