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Original Abstract Other Painting by Milena Nicosia
Original Abstract Other Painting by Milena Nicosia
medium-01
Original Abstract Other Painting by Milena Nicosia
medium-02
Original Abstract Other Painting by Milena Nicosia
medium-03
Original Abstract Other Painting by Milena Nicosia
Original Abstract Other Painting by Milena Nicosia
Original Abstract Other Painting by Milena Nicosia
Original Abstract Other Painting by Milena Nicosia
Original Abstract Other Painting by Milena Nicosia

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"Sophia e il cerchio" Fine Art Print

Milena Nicosia, Italy

$258

Material
  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas
Size
14 x 21 in ($258)
Select a Canvas Wrap
White Canvas
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

"Sophia e il cerchio" embodies Sophia, the artificer of all things, whose purity permeates everything. This artwork captures her intelligent, holy, and multifaceted spirit—an emanation of divine power and a reflection of eternal light. Crafted with oil, pastel, enamel, color, and oil stick on canva...

Year Created:

2021

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

14 W x 21 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

White Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

For Milena Nicosia, art is breath, narrative, eternity. Born in Sicily, she has been painting since she was 4 years old and has never lost the enthusiasm for it. Her studies at the Academy of Fine Arts in Florence were rich in stimuli: Alchemy, Aesthetics, Philosophy, Symbology, and Art History left her with an endless desire for experimentation. Her production has evolved hand in hand with her lived experience. There was a period dominated by the warmth of "beds," the passion of her twenties mixed with melancholy, longing, and "absences." Her voids contained presences, smells, and suggestions. Since 2005, warmth and emotions in her works have been replaced by coldness and austerity, marked by traces of "clothes stripped off the body," essences in prints that preserve a form no longer there. The color was that of an archaeological or black-and-white photographic relic. Her perception of things is intimate and sacred; the material and immaterial imprints life leaves behind are her great source of inspiration. Her works, feminine and mysterious, hold stories and life accounts even when they appear abstract or metaphysical. Her color is not realistic but emotional. Her painting style involves removing, carving, or corroding the surface, both technically and philosophically. Much like a sculptor or archaeologist, she sees the image on the surface, letting herself be carried away and inspired. The works created from 2016 to today are tied to the poetry of "contemporary ruins," narrating lives lived through the mute language of nostalgia, spaces far from any logic where the mind is the only guide. Using art, she constructs a personal inner signage in the incomprehensible ocean of existence, reconciling everything with the idea of lost beauty, her ideal refuge. She often uses the dialoguing power of objects and the fragment's power to open doors to storytelling, sometimes imaginative but hinting at premonitions and omens. Her fragments and debris symbolize fears but also rebellion and resilience. From 2020 onwards, after metabolizing the experience of Covid that marked everyone’s lives with its unexpected absurdity, Milena poured all her feelings into art, freeing her voice through material, form, sign, and vision. She used art to reconstruct a personal path through lived and projected feelings, emotions, and fears, bringing to life the “Nests.

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